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Utagawa Yoshitaki ( April 13, 1841 – June 28, 1899), also known as Ichiyosai Yoshitaki, was a designer of ukiyo-e style Japanese woodblock prints. He was active in both Edo (Tokyo) and Osaka and was also a painter and newspaper illustrator.<br/><br/> Yoshitaki was a student of Utagawa Yoshiume (1819–1879). He became the most prolific designer of woodblock prints in Osaka from the 1860s to the 1880s, producing more than 1,200 different prints, almost all of kabuki actors.
Sadanobu's small landscapes of Kyoto and Osaka were produced very much with the Edo artist Hiroshige in mind. Indeed, he also did miniature copies of some of Hiroshige's most famous designs.<br/><br/> Kyoto was the capital of Japan from 1180 to 1868, when the capital was moved to Tokyo (previously Edo) at the beginning of the Meiji Era in 1868. Sadanobu's woodblock prints of 'Famous Places in the Capital' was thus produced towards the very end of Kyoto's position as the Japanese capital, and possibly continued into the first year or two of the Meiji Period.
Toyohara Chikanobu, better known to his contemporaries as Yōshū Chikanobu, was a prolific woodblock artist of Japan's Meiji period. His works capture the transition from the age of the samurai to Meiji modernity.<br/><br/> In 1875 (Meiji 8), he decided to try to make a living as an artist. He travelled to Tokyo. He found work as an artist for the Kaishin Shimbun. In addition, he produced <i>nishiki-e</i> artworks. In his younger days, he had studied the Kanō school of painting; but his interest was drawn to <i>ukiyo-e</i>.<br/><br/> Like many <i>ukiyo-e</i> artists, Chikanobu turned his attention towards a great variety of subjects. His work ranged from Japanese mythology to depictions of the battlefields of his lifetime to women's fashions. As well as a number of the other artists of this period, he too portrayed kabuki actors in character, and is well-known for his impressions of the <i>mie</i> (formal pose) of kabuki productions.<br/><br/> Chikanobu was known as a master of <i>bijinga</i>, images of beautiful women, and for illustrating changes in women's fashion, including both traditional and Western clothing. His work illustrated the changes in coiffures and make-up across time. For example, in Chikanobu's images in Mirror of Ages (1897), the hair styles of the Tenmei era, 1781-1789 are distinguished from those of the Keio era, 1865-1867.
The Meiji period, also known as the Meiji era, is a Japanese era which extended from September 8, 1868 through July 30, 1912.<br/><br/> This period represents the first half of the Empire of Japan during which Japanese society moved from being an isolated feudal society to its modern form. Fundamental changes affected its social structure, internal politics, economy, military, and foreign relations.
<i>Hikifuda</i> are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper.<br/><br/> While<i>hikifuda</i> began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.<br/><br/> The series opens with spring (春の部). Scenes 1 though 42 represent the First to the Third Months, which are considered in Japan to be the spring season. Typically, early spring is marked by the festivities celebrated at the New Year, which begins the season. Blossoming plum trees are associated with the middle of spring, signifying the end of the cold weather and the beginning of the warm season.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
The rugged, indomitable Chinese muleteers known to the Burmese as Panthay, and to the Thai and Lao as Haw or Chin Haw, were—and to some extent still are—the masters of the Golden Triangle. Certainly they were the traders par excellence, penetrating into the remotest reaches of forbidden territory such as the Wa States, whilst at the same time their mule caravans, laden with everything from precious stones and jade to opium and copper pans, traded as far as Luang Prabang in Laos, Moulmein in Burma, Dali and Kunming in Yunnan, and Chiang Mai in northern Thailand.<br/><br/> Doi Mae Salong was once an impoverished, heavily-armed Kuomintang (KMT) outpost, it is today a tranquil oasis of tea gardens, fruit orchards and Yunnanese-style houses.
Suzuki Harunobu (鈴木 春信4, 1724 – July 7, 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.<br/><br/> Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties (bijin, bijin-ga). Like many artists of his day, Harunobu also produced a number of shunga, or erotic images.<br/><br/> During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
Minamoto no Yoshitsune (源 義経?, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen.<br/><br/> Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura Shogunate. Yoshitsune's name in childhood was Ushiwakamaru (牛若丸). He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan.
The rugged, indomitable Chinese muleteers known to the Burmese as Panthay, and to the Thai and Lao as Haw or Chin Haw, were—and to some extent still are—the masters of the Golden Triangle. Certainly they were the traders par excellence, penetrating into the remotest reaches of forbidden territory such as the Wa States, whilst at the same time their mule caravans, laden with everything from precious stones and jade to opium and copper pans, traded as far as Luang Prabang in Laos, Moulmein in Burma, Dali and Kunming in Yunnan, and Chiang Mai in northern Thailand.<br/><br/> Doi Mae Salong was once an impoverished, heavily-armed Kuomintang (KMT) outpost, it is today a tranquil oasis of tea gardens, fruit orchards and Yunnanese-style houses.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Tokyo (東京 Tōkyō, 'Eastern Capital') is one of the 47 prefectures of Japan. Tokyo is the capital of Japan, the center of the Greater Tokyo Area, and the most populous metropolitan area in the world.<br/><br/> It is the seat of the Japanese government and the Imperial Palace, and the home of the Japanese Imperial Family. Tokyo is in the Kantō region on the southeastern side of the main island Honshu and includes the Izu Islands and Ogasawara Islands. Tokyo Metropolis was formed in 1943 from the merger of the former Tokyo Prefecture (東京府 Tōkyō-fu) and the city of Tokyo (東京市 Tōkyō-shi).
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen.<br/><br/> Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan.<br/><br/> Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benkei, was a Japanese warrior monk (sōhei) who served Minamoto no Yoshitsune. He is commonly depicted as a man of great strength and loyalty, and a popular subject of Japanese folklore.
Utagawa Hiroshige (1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige, and by the art name of Ichiyūsai Hiroshige. Among many masterpieces, Hiroshige is particularly remembered for 'The Sixty-nine Stations of the Kisokaidō' (1834–1842) and 'Thirty-six Views of Mount Fuji' (1852–1858).
Thirty-six Views of Mount Fuji (Japanese: 富士三十六景; Fuji Sanjū-Rokkei) is the title of two series of woodblock prints by the Japanese ukiyo-e artist Andō Hiroshige, depicting Mount Fuji in differing seasons and weather conditions from a variety of different places and distances. The 1852 series are in landscape orientation; the 1858 series are in portrait orientation.<br/><br/> Utagawa Hiroshige (歌川 広重, 1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was also referred to as Andō Hiroshige (安藤 広重) (an irregular combination of family name and art name) and by the art name of Ichiyūsai Hiroshige (一幽斎廣重).
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen.<br/><br/> Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan.<br/><br/> Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benkei, was a Japanese warrior monk (sōhei) who served Minamoto no Yoshitsune. He is commonly depicted as a man of great strength and loyalty, and a popular subject of Japanese folklore.
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen.<br/><br/> Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan.<br/><br/> Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benkei, was a Japanese warrior monk (sōhei) who served Minamoto no Yoshitsune. He is commonly depicted as a man of great strength and loyalty, and a popular subject of Japanese folklore.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
Minamoto no Yoshitsune (源 義経, 1159 – June 15, 1189) was a general of the Minamoto clan of Japan in the late Heian and early Kamakura period. Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen.<br/><br/> Yoshitsune's older brother Minamoto no Yoritomo (the third son of Yoshitomo) founded the Kamakura shogunate. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai fighters in the history of Japan.<br/><br/> Musashibō Benkei (武蔵坊弁慶, 1155–1189), popularly called Benkei, was a Japanese warrior monk (sōhei) who served Minamoto no Yoshitsune. He is commonly depicted as a man of great strength and loyalty, and a popular subject of Japanese folklore.
Samurai is the term for the military nobility of pre-industrial Japan. By the end of the 12th century, samurai became almost entirely synonymous with bushi, and the word was closely associated with the middle and upper echelons of the warrior class.<br/><br/> The samurai followed a set of rules that came to be known as Bushidō. While they numbered less than ten percent of Japan's population, samurai teachings can still be found today in both everyday life and in martial arts such as Kendō, meaning the way of the sword.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.